“What’s past is prologue.” – The Tempest – William Shakespeare
Nothing could say more about Blast of Tempest than Shakespeare’s The Tempest which is heavily referenced throughout the series. Blast of Tempest is a story about overcoming entrapment in the past, both figuratively and literally.
One thing that can be said about Blast of Tempest is that it follows a logical premise that manages to feel legitimately inspired despite its fair share of twists. Even though the story involves magic, the series defines a strong logical framework that both empowers and entraps its characters.
Above all, our character’s personal history is a major factor in the series. It drives Mahiro on a vengeful path to determine who killed his sister and weighs down Yoshino to the point of near-detachment. It is only when these characters are able to accept fate and focus that they are able to allow a tragic event to become the means to a better end (saving the world). Moreover, past as a general influence is extremely well-realized. Events in the past, including Hakaze’s imprisonment, Aika’s death, and even further back to the formation of the Tree of Exodus as a means to end the Tree of Genesis’s purpose in resetting humanity are central to the plot.
Furthermore, the notion of order and chaos is thematically prevalent in the series. Even though the Tree of Genesis represents order, it is only with the chaos represented by the Tree of Exodus that humanity can thrive and even exist. Despite the resurgence of crime and inequality after the dissolution of the Tree of Genesis, it is easy to understand the necessity in the action and why the order imposed by the Tree of Genesis would eventually deem all of humanity unrighteous.
The only major flaw to Blast of Tempest‘s story is that it tends to use its characters as if they are actors in a play (perhaps intentionally). Each character plays his part, often without question. This is extremely noticeable in Aika’s casual acceptance of her fate despite what clearly would have been a difficult decision – but this may actually speak more to her character than to the show’s tendency to have its actors fill a role.
Character development is very important in Blast of Tempest – and all of its main characters, Hakaze, Yoshino, Mahiro and Aika, are a strong basis to the show’s central themes despite their differing personas. What enforces their strength is their intelligence – even in Mahiro’s case – the characters carefully and cleverly plan their actions.
Hakaze is a strong female lead that is open and direct, while sometimes being too upfront and occasionally becoming distracted by desire. What defines Hakaze the most is that, despite her attunement to the Tree of Genesis, she is far from unquestioning. Her actions are often fueled by her desire to seek her own path, even with opposition or without knowing the consequences. It makes her into a character nearly embracing chaos despite the order surrounding her – which accentuates her foil in Aika.
Aika, though appearing frail, is strong to a fault. Her character embraces the ideology of Exodus far too unconditionally which is but testament to her acceptance with being an actress in a play. She often quotes Hamlet and The Tempest because she feels that her only goals have already been previously scripted and she must play to those ideals.
Mahiro, on the other hand, represents another extreme of chaos with his absolute path of vengeance. His early ambitions are simply to avenge the death of Aika, but this actually drives him to greatness because of her involvement in much more crucial matters. When he is freed from this path, his goal has actually become to enact a plan to save the world. Mahiro is a renegade without being overly reckless and ambitious to a point where he is not clouded.
Yoshino, for a large majority of the show, is very detached. Aika’s death had an opposing effect on him in that he nearly lost desire to function after her passing. Even though he is tied down by her loss, he thinks clearly and keeps Mahiro in check when he is pushing himself too far. It’s important to note that Yoshino is the last character to resolve his past as a lesson in history, because he is too entrapped by it. Hakaze’s confessions to him cause him to break because he is not ready to continue his life until all others’ problems have been resolved.
Blast of Tempest is breathtaking visually and its usage of classical pieces in its soundtrack is excellently done. By now, this is what we expect from BONES, so it isn’t too unbelievable that this show lives up to BONES’s capability to generate quality in its production value. Particularly of note are the show’s excellent action scenes that accentuate brilliant animation along with well-utilized classical music.
While Blast of Tempest occasionally falls short of absolute excellence in its willingness to allow its characters to fill roles, it presents a story of past entanglements that is very well-realized and non-contradictory with a cast that synergizes their differing viewpoints.
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